Resumen de Espacios de ambigüedad en el teatro cervantino: La conquista de Jerusalén y los dramas de cautiverio
This paper is a contribution to the discussions surrounding the attribution of La conquista de Jerusalén por Godofre de Bullón. My suggestion is that those scholars who have attributed this drama to Cervantes would do well in exploring not only circumstantial, structural, linguistic, and stylistic characteristics of the play, but also the work’s potential adhesion to epistemological and ethical principles that can be connected with Cervantine humanism. While my approach is not exclusively or even primarily concerned with the kind of considerations that would establish Cervantes’s authorship beyond reasonable doubt, I do indeed find significant thematical, situational, ethical, and ideological coincidences between the anonymous drama in question and a number of Cervantine plays dealing with Mediterranean frontier spaces and hybrid religious and cultural identities
