Minsuk Cho, founder of Seoul-based Mass Studies, describes the shifting environment of practice: a world in which curators and clients are already anticipating the way that future architecture will take on a new level of interactivity, responding to personal communication devices. There is a bittersweet flavour to these accounts of projects commissioned by curators that seek to maximise the interactions between the public and the making of pavilions. The irony is sharpened by the urban context of Seoul, a densely populated city in which individuals seek to excise themselves from the relentless interactions of everyday living.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados