Los procesos de veridicción en «A Very Short Story», de Ernest Hemingway (The Veridiction Processes in “A Very Short Story,” by Ernest Hemingway)

• Autores: Isabel Cristina Bolaños Villalobos, Gabriela Cerdas Ramírez, Jimmy Ramírez Acosta
• Localización: Letras, ISSN 1409-424X, ISSN-e 2215-4094, Vol. 2, Nº. 60, 2016, págs. 213-230
• Idioma: español
• Títulos paralelos:
  • The Veridiction Processes in “A Very Short Story,” by Ernest Hemingway
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  • español

    El estudio desarrolla un análisis de la obra «A Very Short Story», de Ernest Hemingway, desde el punto de vista de lo verosímil. Se efectúa según las propuestas de Todorov, Metz, Jakobson y Matamoro para determinar que esta obra es autobiográfica y que muestra un juego de dinamismo entre el texto y el diálogo interno. Se acude a algunas ideas de Linda Anderson y de Shoshana Felman sobre la autobiografía. Además, se analizan situaciones como la referencialidad y la relación entre la literatura y la realidad, la influencia del contexto histórico y cultural en la lectura de un texto, la interrelación del discurso y la creación de significación y el papel del receptor. This study presents an analysis of the work “A Very Short Story,” by Ernest Hemingway, from the perspective of verisimilitude. Based on the proposals of Todorov, Jakobson, Metz and Matamoro, it can be determined that this story is autobiographical and that a dynamic exchange takes place between the text and the internal dialogue. The ideas of Linda Anderson and Shoshana Felman about autobiography are taken into account. Moreover, issues of referentiality and the relationship between literature and reality, the influence of the historical and cultural context in reading a text, the interplay of discourse and the creation of meaning and the role of the receiver are all analyzed here.

  • English

    This study presents an analysis of the work “A Very Short Story,” by Ernest Hemingway, from the perspective of verisimilitude. Based on the proposals of Todorov, Jakobson, Metz and Matamoro, it can be determined that this story is autobiographical and that a dynamic exchange takes place between the text and the internal dialogue. The ideas of Linda Anderson and Shoshana Felman about autobiography are taken into account. Moreover, issues of referentiality and the relationship between literature and reality, the influence of the historical and cultural context in reading a text, the interplay of discourse and the creation of meaning and the role of the receiver are all analyzed here.