Kreisfreie Stadt Bonn, Alemania
English architect and stage designer Inigo Jones's 1635 ornament for the masque The Temple of Love, by Jones and William Davenant, contains proof of inspiration by accounts of a Florentine and possibly a Trevisan festival. There are several quite obvious analogies between the proscenium arch of The Temple of Love and the Florentine carnival celebrations of the year 1616, which featured a magnificent mock battle and equestrian ballet organized by Cosimo II de' Medici; these include the use of the name Indamora, Brahmin priests, a “naked” Indian sitting on a “whitish” elephant, and an Asian riding a camel. An image of a unicorn used by Jones does not appear in accounts or etchings of the Florentine carnival, but, as the emblem of chastity, complements the masque's theme; the ideal of a chaste and fruitful union in marriage is also the subject of The Temple of Love. Images of a tiger and a unicorn in Jones's ornament, emblematic representations of the contraries of passion, may have been inspired by a tournament held in Treviso, Italy, in 1597.
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