Taking place in time, drawing is ‘the fundamental act of design’. It is instrumental in formulating duration in terms of process and also the ways in which architectural environments might be experienced. In this article, Brian McGrath, Dean of the School of Constructed Environments and Professor of Urban Design at Parsons School of Design in New York, reflects on three decades of experimental graphic work, which take a layered, multidimensional and augmented approach to representation.
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