Buzzi and the big Milan exhibitions of the 1930s.
The paper looks at Buzzi's participation in the big Milan exhibitions between the wars, from the Monza Biennial of 1927 to the Triennials of Monza and Milan in the 1930s.
His relationship with the ancient is also taken into consideration, particualrly his conception of time: and "eternal present", which is in harmony with the poetics of the "Return to Order" as seen for example in Eliot's poetry.
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