Seeing design stances

• Josh Tenenberg ^[1] ; David Socha ^[1] ; Wolff-Michael Roth ^[2]
  1. [1] University of Washington

     University of Washington

     Estados Unidos

     
  2. [2] University of Victoria

     University of Victoria

     Canadá

     
• Localización: CoDesign: International Journal of CoCreation in Design and the Arts, ISSN 1571-0882, Vol. 12, Nº. 1-2, 2016, págs. 6-12
• Idioma: inglés
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• Resumen

  • AbstractIn this paper, we investigate the stances that designers take in relation to one another in design critiques. Analysis of audiovisual recordings of critiques between students and professional designers in industrial design in the DTRS 10 data-set reveals that design concepts not only are verbally narrated but also come to life in gesture, gaze, orientation and body movement. In these bodily performances, participants adopt and shift between several identified stances, which we call inscriptional, third-person, first-personand phenomenal. In social relations, these stances are mirrored, taken up, responded to and elaborated by the other participants. The critique itself, then, can be seen as a dialogical movement by the participating designers through a set of stances. By comparing a case in which participants are collocated to a case in which the participants are at a geographic distance facilitated only by real-time audio and shared computer display, we conjecture that this responsive mirroring and elaboration of stance can be hindered when participants do not have visual access to one another and thus increase the chances of communication breakdowns.