Les "estampes habillées": acteurs, pratiques et publics en France aux XVIIe et XVIIIe siècles

• Pascale Cugy ^[1] ; Georgina Letourmy-Bordier ^[2] ; Vanessa Selbach ^[3]
  1. [1] University of Paris-Sorbonne

     University of Paris-Sorbonne

     París, Francia

     
  2. [2] Pantheon-Sorbonne University

     Pantheon-Sorbonne University

     París, Francia

     
  3. [3] Bibliothèque nationale de France

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• Localización: Perspective: la revue de l'INHA : actualités de la recherche en histoire de l'art, ISSN 1777-7852, Nº. 1, 2016 (Ejemplar dedicado a: Textiles), págs. 163-170
• Idioma: francés
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• Resumen

  • "Dressed Prints": participants, practices and public in 17th and 18th century France.

    Hard to date and inaccurately identified, "dressed prints" are a complex and little-studied phenomenon. Produced both as individual acts of appropriation and by groups and institutions seeking to transform images printed on paper by the thousands into magnificent decorative objects, they were in some cases opulent and highly refined sources of wonder. This short article offers an overview of these practices and indicates possible directions for research, describing devotional and secular images and accessories decorated with textile fragments in this way, using mainly French examples from the seventeenth and eighteenth centuries.