Der codierte Christus. Figuration als Bild-Text-Dynamik im "De laudibus sanctae crucis" des Hrabanus Maurus

• Matthias Schulz ^[1]
  1. [1] Swiss Institute for Art Research

     Swiss Institute for Art Research

     Zürich, Suiza

     
• Localización: Zeitschrift für Kunstgeschichte, ISSN 0044-2992, Vol. 79, Nº. 1, 2016, págs. 10-43
• Idioma: alemán
• Texto completo no disponible (Saber más ...)
• Resumen

  • Among the early medieval illuminated manuscripts of the ninth century, "De laudibus sanctae crucis" (Cod. Reg. Lat 124) by Hrabanus Maurus offers one of the most complex interplays of image-text relationships based on "carmina figurata". It unfolds different levels and strategies of figuration.The specific aspects and qualities of its iconic practice can be described as a kind of coding. The coded subject and leitmotif of the cycle, which afects and gives structure to all other miniatures, is the central figure of "Christus triumphans". The essay focuses on the detailed description and analysis of this symbiotic dynamic of a figural impulse that combines seeing, reading, and imagination into a meta-concept of figuration.