The article analyzes the consistent patterns of time art forms, the newest conceptions of forms of the Lithuanians, Russians, and other musicologists as well as the aspects in the perspective of analogues in literary texts. Further, the article presents some methods used for analysis of musicological forms such as Hugo Riemann and Viktor Bobrovsky’s functional analysis and form systematics of Hermann Erpf.
In addition, the article introduces the principles of musical thematics as a possible methodological novelty used to defi ne the composition of literary writing. The usage of musical form conceptions and ways of musicological analysis for examining the verbal texts composition allows a greater precision in defi ning the specifi cs of form in literary writings.
It also reveals the musicianship and enriches the world of science with the new methodology.
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