Transporting India: the "Gentil Album" and Mughal manuscript culture

• Autores: Chanchal Dadlani
• Localización: Art history: journal of the Association of Art Historians, ISSN 0141-6790, Vol. 38, Nº. 4, 2015 (Ejemplar dedicado a: Objects in motion in the early modern world / coord. por Daniela Bleichmar, Meredith Martin), págs. 748-761
• Idioma: inglés
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• Resumen

  • This essay addresses artistic encounters between Mughal India and France in the early modern period. In 1778, the French East India Company officer Jean-Baptiste Gentil (1726-99) returned to France after twenty-five years in India, taking back with him a substancial collection of Indian manuscripts and albums. Included in this collection were new illustrated works that Gentil had produced in collaboration with Indian artists and translators. This essay focuses on a key example, known today as the "Gentil Album". This object is interpreted in relation to multiple systems of artistic and epistemological production, including the manuscript tradition of the early modern Indo-Persian world and the network of European artists, scholars, and patrons central to the construction of an early, eighteen-century Orientalism. The significant role this culturally layered art object played in mediating between India and France is emphasized, as well as its implications for current discussions of circulation and encounter.