The visual culture of fashion and the classical ideal in post-Revolutionary France

• Autores: Susan Siegfried
• Localización: Art bulletin, ISSN 0004-3079, Vol. 97, Nº 1, 2015, págs. 77-99
• Idioma: inglés
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• Resumen

  • In her little-known painting "A Study of a Woman after Nature" (1802), Marie-Denise Villers exploited a conjuncture between masculine-inflected ideals of Neoclassical art and feminine-inflected ideas of fashionability in the post-Revolutionary poriod in France by making a feature of female dress while emulating the standards of history painting. The artist's confident synthesis of idioms is examined in the context of Albertine Clément-Hémery's memoir of a women's art studio. Walter Benjamin's notion of "gestus" is enlisted as a means of understanding how the quite different image cultures invoked in this work communicated social ideas.