Beginning with an analysis of the theatre of the town of Strasbourg, the article proposes some conclusions about the cohesion of the French-German society in Alsatia during the 50 years after the annexation in 1871. An overview of the reconstruction of the building and the renascent theatre life is given as well as censorship, visiting actors and audience. The division of society was reflected in different audiences attending either Geman or French theatre. This division could only partly be overcome in perfomances in Alsatian dialect, which however attracted a more varied public from different social classes.
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