If I had been giving a talk entitled 'Painting now' thirty years ago, I would have found myself describing a very different situation from the one in which painting finds itself today. At that time painting was very much in evidence and I would have simply tried to cover its various styles and manifestations. But now the situation has completely changed and one could be forgiven for asking: Whatever happened to painting? Where is painting? Is there any painting? And if there isn't, does it matter?
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