Brasil
Among the activities she carried out in the Carioca press, the writer Clarice Lispector wrote feminine columns. In the Diário da Noite, for example, in the beginning of the sixties, we will find a Clarice that, by taking up the ghost writer role of Ilka Soares, deals with amenities and trivia, adapting herself, apparently, to the aesthetics of the feminine press. Even talking about fashion, the house, children and decoration, a paradigm so common to publications geared towards women, the writerjournalist takes the space of the newspaper to subvert the canon of the feminine press and do fiction. The recipes that she publishes quite always are fragments of short stories or novels and are mixed to the page with naturalness, creating a game of disguises and dissimulations.
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