The borders of Western art have become liquefied and havestimulated the relationship between forms, plans, structures and processes,offering new configurations for the poetic art. Thus, this paper intends toanalyze the poems of Rua do mundo (2004) by Eucanaã Ferraz, on the basisthat the poet, invested with the power of refusal, denies the established forms.Such refusal results in a poetic world that invests in architecture, fashion, artsand various discourses as cognition fields and presents a rigorous search forunconventional structures, with emphasis in unfoldings and interventions instandard shapes.
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