The article discusses drawings by 17th-century Dutch artist Rembrandt van Rijn. The author describes methods for telling the difference in drawings by Rembrandt and those by his students, including a method by art historian Woldemar von Seidlitz. The author discusses categories of drawings by Rembrandt including drawings with monograms and signatures, drawings made for paintings and prints, and drawings featuring inscriptions by Rembrandt. Specific drawings analyzed include “The Last Supper,” “Christ and the Apostles,” “The Angel Preventing Abraham from Sacrificing His Son Isaac,” and “View of the Estate of Saxenburg near Bloemendaal.”
© 2001-2024 Fundación Dialnet · Todos los derechos reservados