The article explores the identity of the painter known as the Master of St. Veronica who was active in Cologne, Germany in the early fifteenth century. The author suggests that he was also referred to as "Meister Wilhelm" or "magister Wilhelmus" and discusses the possibility that he is the artist of a triptych owned by the monk Symon de Werd, which might be the triptych known as "Madonna of the sweet pea."
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