The article focuses on the art and visual culture of the High Qing Dynasty in China between 1680 and 1795 and how this art was perceived by Europeans. The author discusses the relationship between globalization and art history, examines Sino-European artistic interactions during the 18th century, and explores how Qing painting interpreted European style. High Qing emperors Kangxi, Yongzheng, and Qianlong are also mentioned.
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