A series of prints by Jan van de Velde portrays a countryside market combined with scenes of bourgeois leisure. Numerous details of these superficially realistic images defy conventions of both real behavior and its pictorial representation. These incongruities are resolved through a reference to G. A. Bredero's Spanish Brabanter, a play concerned with the falsity of appearances and the willingness of people to be deceived. The prints work to establish a separation between the new locale of the suburban park as a place of social deceptions, and the urban market where “truth” is guaranteed in the context of economic provisioning.
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