Resumen de The Chapel of the Courtesan and the Quarrel of the Magdalens
Christopher Lewis Charles Ewart Witcombe
According to Vasari, a famous courtesan commissioned the decorations for a chapel in SS. Trinità dei Monti, Rome, consisting of an altarpiece and frescoes by Giulio Romano and Gianfrancesco Penni illustrating scenes from the life and legend of Mary Magdalen. This essay reconstructs the project, which was dismantled in the nineteenth century, and examines the status of courtesans in Rome at the time. Mary Magdalenís role as a penitent prostitute is also explored and the argument made that the chapelís decorations express the conservative position in the "Quarrel of the Magdalens," when the Magdalenís identification as a prostitute was challenged.
