Hebrew Manuscript Painting in Late Medieval Spain: Signs of a Culture in Transition

• Autores: Katrin Kogman Appel
• Localización: Art bulletin, ISSN 0004-3079, Vol. 84, Nº 2, 2002, págs. 246-272
• Idioma: inglés
• Texto completo no disponible (Saber más ...)
• Dialnet Métricas: 4 Citas
• Resumen

  • In medieval Spain, Hebrew illuminated manuscripts gave expression to two distinct artistic languages. Bibles used an aniconic, primarily ornamental idiom closely linked to the Islamic arts of Spain, while Passover Haggadot used a richly narrative mode, including figurative images, derived from the Gothic stylistic tradition. Examination of this phenomenon reveals its roots in divisions among Spanish Jews socially, between Sephardim and Ashkenazim, upper classes and middle classes, and culturally, between rationalists and traditionalists, those who identified with Islamic culture and those tied to Christian Europe.