Details of Absence: Frederic Church and the Landscape of Post-Emancipation Jamaica

• Autores: Jennifer Raab
• Localización: Art history: journal of the Association of Art Historians, ISSN 0141-6790, Vol. 34, Nº. 4, 2011 (Ejemplar dedicado a: Anglo-American: Artistic Exchange between Britain and the USA Edited by David Peters Corbett and Sarah Monks), págs. 714-731
• Idioma: inglés
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• Resumen

  • The article examines the influence of the U.S. Civil War and the Morant Bay Rebellion in Jamaica on the composition of the landscape painting “Vale of St. Thomas, Jamaica,” by U.S. artist Frederic Edwin Church. The author utilizes this examination of the painting in order to explain the ways in which Jamaican emancipation economically altered the nation's landscape. She notes the connection between race and colonial violence on the island while detailing the aesthetic representation of faith and doubt in Church's work.