The writer discusses a 15th-century Netherlandish silverpoint drawing of an enthroned Madonna and Child, now in the Museum der bildenden Künste in Leipzig, Germany, and its relation to Jan van Eyck's Marienaltar in the Gemäldegalerie in Dresden, Germany. The Leipzig drawing has been described as a copy of the central panel of van Eyck's altarpiece. The writer, on the other hand, presents evidence to suggest that the drawing represents a study for the panel.
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