Resumen de Albrecht Dürers Melencolia / I und die Gerechtigkeit
The writer interprets the female figure in Albrecht Dürer's print Melencholia ∫ I (1514) as a personification of justice. She suggests that the artist, who was closely involved with old German law and had close ties to recognized humanists and jurists, was evidently concerned to capture essential elements of disappearing older laws.
