The writer discusses the fresco of the Last Supper in Florence that was painted within the Cenacolo di Foligno. No archival records are known for the fresco, but it is now accepted by most scholars as the work of Pietro Perugino, with some participation by assistants. He may have collaborated on the work with Giannicola di Paolo, an attribution that can be supported through stylistic comparison with his paintings and drawings.
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