Veronese and His Collaborators at "La Soranza"

• Autores: Diana Gisolfi Pechukas
• Localización: Artibus et historiae: an art anthology, ISSN 0391-9064, Nº. 15, 1987, págs. 67-108
• Idioma: inglés
• Texto completo no disponible (Saber más ...)
• Resumen

  • Vasari's scattered information on the destroyed Villa Soranza places Anselmo Canneri there as a frescoist as well as Veronese and Zelotti. Comparison of eleven fresco fragments of 1551 form Soranza with contemporary works by the three artists confirms the presence of all three hands in the frescoes, which are usually attributed to Veronese alone. The lost decorative program is reconstructed by collating the original list of 108 fragments, drawn up in 1818, with lists of fragments shown in England in 1825 and 1827 and with the visual remains, using Ridolfi's passage to help place fragments in the four decorated rooms. Twelve drawings in Milan record extant and described elements of the decoration and also record the same three hands identified in the extant fragments. Sources for the cycle at "La Soranza" exist among earlier fresco cycles in Renaissance Verona, where antiquarian studies had fostered illusionistic decorations since 1500.