Die "Auferstehung Christi" im Krakauer Marienaltar. Zum Problem von Körper und Bewegung in der Kunst von Veit Stoß

• Autores: Adam S. Labuda
• Localización: Artibus et historiae: an art anthology, ISSN 0391-9064, Nº. 18, 1988, págs. 17-39
• Idioma: alemán
• Texto completo no disponible (Saber más ...)
• Resumen

  • The figure of Christ was treated from the perspective of the Medieval Christian concept of the purified body of the Resurrected. Christ embodies most clearly what theologians called the dos agilitatis. This comes out in the bold straightforward movements in the figure of Christ. Veit Stoss achieved this effect through a unique, ingenious combination of pictorial elements from earleir representations of this theme. As model must have served the no longer extant Resurrection ascribed to Hans Pleydenwurff, as well as one by Caspar Isenmann. An analysis of the Veit Stoss Resurrection in the context of the whole program of the opened retable shows the many layers of reciprocal relations of ideas between the particular parts of the altar.