For the most part, the wealth of historical and contemporary photographs featured in the book provides illustrations of the text. in par- ticular, the historical photographs stand out: cowboy singer John burrus looking ever so much like humphrey bogart in a 1949 portrait (p. 22); barrelhouse blues player Alexander moore belting out songs for "White Patrons only" at the Southern house in Dallas in 1947 (p. 68); legendary texas folk icon lydia men- doza with her guitarra doble (12-string guitar) in hand, pictured at a recording session in her home in 1938 (p. 87).
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