The true image: : gravestone art and the culture of Scotch Irish Settlers in the Pennsylvania and Carolina Backcountry

• Autores: Simon J. Bronner
• Localización: The Journal of American Folklore, ISSN-e 1535-1882, Vol. 127, Nº. 505, 2014, págs. 337-339
• Idioma: inglés
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• Resumen

  • The result is a window into the social worlds in which the bighams lived and worked. he traces their movement down the Great Wagon road along with a stream of Scotch-irish settlers from Pennsylvania to South carolina driven by the hunger for land and complicated pulls of kin- ship, religion, and politics. he treats the reader to accounts of marriage customs and the "great day" on the first Sunday after a marriage, to point out the ties that bound Scotch-irish set- tlers together as communities as well as con- gregations. outside of church, the settlers gath- ered at the militia muster and the convening of the county court, venues that Patterson sagely interprets as old institutions transformed into instruments of a new American society. return- ing to the bigham workshop in relation to nearby Scotch-irish stonecutters in chapter 3, Patterson views their work as reflections, and perhaps agents, of social change because stones broadcast a move from the mourning of old World bodies to the future-oriented remem- brance of their memories.