'Dinámicas de la forma audiovisual. Puesta en forma y representación subjetiva en el cine argentino del nuevo siglo: 'Papá Iván', 'Encontrando a Víctor' e 'Infancia clandestina'

• Autores: Araceli Arreche
• Localización: Kamchatka: revista de análisis cultural, ISSN 2340-1869, Nº. 3, 2014 (Ejemplar dedicado a: Representaciones culturales de la apropiación de menores en el franquismo y en Argentina), págs. 151-168
• Idioma: español
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• Resumen

  • Among the new millenium audiovisual narratives, clustered around the construction of a politicity, we seek to characterize its �mnemic dynamics�, to question the framework of aesthetic choices which underlie the texture of images. From the whole of determinations that the images suggest, what visual identity or visual poetic follows the formal landscape which is delivered to us? What shapes does the past adopt? In which ways does the story shapes the experience? From the visual forms and scenes translated by different aesthetical languages which emerged from the crisis (the economical and institutional, which is inscribed mainly in the events of 2001-2002), three cases are studied: Papá Iván by María Inés Roqué (2000), Encontrando a Víctor by Natalia Bruchstein (2004) and Infancia clandestina by Benjamín Avila (2011), narrations which oscillate between filiation and eradication.