The events of the Spanish civil war and the immediate postwar are a focus of interest for arts, especially for the literature. The stories framed there become an object of interest to the specialist critics that deals with the representation of these historical events. Within the representations, appears a discursive form that circulates into the margins: comics. All this appears in Cueda de presas, a comic book that contains eleven stories about the Spanish civil war. In the following pages I will try to account for a specific problem: childhood representation. I will seek to trace their presence in the stories of Cuerda de presas, and I will focus on the analysis of the specificities of comic language and their relation to the concepts of memory and identity.
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