Resumen de Playtime is over
An unproduced 1950s script by Jaques Tati proves the perfect match for Sylvain Chomet's exquisitely melancholic animation style in "The Illusionist", his follow-up to "Belleville Rendez-vous"
An unproduced 1950s script by Jaques Tati proves the perfect match for Sylvain Chomet's exquisitely melancholic animation style in "The Illusionist", his follow-up to "Belleville Rendez-vous"
