Resumen de The discourse of failure in Seventeenth-Century Rome: Prospero Bresciano's Moses
Since the moment of its unveiling in 1588, Prospero Bresciano’s Moses, which adorns the center of the Fontana dell'Acqua Felice in Rome, was ridiculed as a "monster" and the work of a "sculptor who had lost his mind." One of its earliest critics, Giovanni Baglione, similarly denigrated the statue, framing his critique in terms of art theory and fabricating a moral tale around the work’s failure. What emerges from an examination of the early responses to the Moses is both a tragicomic fable in the history of art and a lesson in reading and interpreting early modern art criticism.
