Titian�s Venus and Adonis has long been praised both with regard to its affective complexity and its departure from the representational tradition of this story exemplified by narrative focus on the �leave-taking� of the young hunter from the bed of the goddess. Building upon seminal studies of scholars like Erwin Panofsky and David Rosand, this essay explores the artist�s emphasis on the vain reach of the goddess towards the leave-taking Adonis as a complex figuration imbued with allusions to several related stories within The Metamorphoses that establish the causes of Venus�s failure. What these recollections ultimately address is the topos of the Virgilian tempus fugit, as well as the inherent melancholia of the sublimation of desire into a work of art.
© 2001-2026 Fundación Dialnet · Todos los derechos reservados