Venezuelan polygrapher Enrique Bernardo Núñez is a rather unknown author whose novels Cubagua (1931) and La galera de Tiberio (1938) are worth considering. My article tries to demonstrate how interesting and rich they are, especially for their complex and suggestive articulation of time and myth, and stresses the essential role they play in the (pre)history of the so-called �new historical novel�.
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