Resumen de "Somnia nvgaequve merae". Sobre la cronologia de les tragèdies de Sèneca: mètodes i resultats
The lack of clear information has made the chronology of Seneca's tragedies a hotly-debated question. The diverse methods that have been used to resolve it, based on the internal analysis and on the study of external witnesses, with diverging results, are examined in this article, with the followiing conclusions. Regarding the internal analysis: A. On the absolute dating: 1. the allusions to historic events which have been offered as proof lack the necessary connection;2. the consideration, widely accepted, of the "Apocolocyntosis as a terminus ante quem"(year 54), above all of "HF", as supposed parodyis inconsistent dogma. B.On the relative dating: 1. the intertextual relationsthat have been established are often contradictory and subjective in nature; 2.the increase in the number of pauses within the verse as a sign of posteriority is an erroneous criterion; 3. another erroneous criterion is that of the number of abbreviations of_o, a phenomenon that, in the view of the history of the language, of the literary genre and of the insertion of words into the verse, shows a coherent and closed non-chronological system; 4. the variation represented by the polymetric songs could have occurred at any stage of the tragediographic trajectory. Regarding the external testimony: 1. it is not possible to establish a precise date for the "praefationes" of Pomponius Segundus and of Seneca; 2. Pomponius must have died shortly after the year51: 3. the debate between the two tragediographs could have taken place c. 41, c.49 or c. 51; 4 Seneca's tragediographic activity could have ocurred before 41, during the period 49-59 or in both periods. Seneca's tragedies reflect a historic framework which is not exclusively Neronian. We do not know the author's direct intentions and the impressions of the audience; the weight of the interpretation should be moved from the historical field to the literary field.
