'Enter and Exit the New Negro': von unsichtbaren Sichtbarkeiten

• Autores: Nana Adusei-Poku
• Localización: Feministische Studien, ISSN 0723-5186, Vol. 30, Nº. 2, 2012, págs. 212-227
• Idioma: alemán
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• Resumen

  • The article “Enter and Exit the New Negro – About invisible visibilities” discusses Mark Bradford’s painting of the same title and introduces the concept post-black as an artistic practice. Bradford’s piece allows to illustrate the corporeal experience of racialisation and consequently shows diversity within the Black Diaspora. It further demonstrates that contemporary post-black artists produce not only a post-identitarian desire and ref lection in terms of race, but can also be localized within the theoretical framework of Queer of Color Critique.

    I finally argue that this queer critique, which expresses a desire to think the unkown, cannot merely be achieved in the realm of the visual but rather has to include the haptic sense in order to offer an alternative subjectification for Black individuals.