Cates's essay considers the benefits and constraints of genre within superhero comics and recent alternative comics that make use of the figure of the superhero. Individual superheroes (Batman, Superman, Spider-Man) emerge as nearly allegorical figures for particular ideas or ideologies; the figure of the superhero more generally is also figured in these works as a symbol of arrested maturity, both within the fictions and within a larger metafiction about the genre. Works discussed in detail include Frank Miller's The Dark Knight Returns (1986), Alan Moore and Dave Gibbons's Watchmen (1986-87), Mark Waid and Alex Ross's Kingdom Come (1997), Chris Ware's Jimmy Corrigan (2000), and Daniel Clowes's David Boring (2002) and "The Death Ray" (2004).
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