This essay analyzes the poetry of Jordi Domenèch taking into account the theme of ruins. It starts out by taking a multidimensional look at his lyric space, construed not just as a place represented in a poem, but also as a locus of enunciation and mental pattern that conditions the form of the poem and its reception. More specifically, focusing on a limited number of poems, the article deals with three ways of subverting the theme of ruins: the substitution of the lyric subject's projected empathy with the ruin's temporality for a mere description of its vision; the perception of a ruin as a palimpsest, thus favouring the use of intertextuality; and the distortion of the ruin's aura through its contact with everyday or abject things
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