Bastards and Booties: Production, Copyright, and the Mashup Community

• Autores: Liam McGranahan
• Localización: Trans : Transcultural Music Review = Revista Transcultural de Música, ISSN-e 1697-0101, Nº. 14, 2010, 1 págs.
• Idioma: inglés
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• Dialnet Métricas: 2 Citas
• Resumen

  • Mashups, also known as bootlegs or bastard pop, epitomize current changes in the production of, and interaction with, popular culture. Mashup artists utilize computer technology to remix and reshape the culture around them, and to build and maintain community. By looking at the history of the mashup genre, the dispersed nature of the mashup community, the production techniques used by mashup producers, and the impacts of copyright law, this article demonstrates that the mashup genre and the worldwide community of its fans and producers are on the cutting edge of popular music, technology, and copyright.