This paper was written as a response to the six main articles that appear in the special issue Education in Motion: Producing Methodologies for Researching Documentary Film on Education. The afterword first tries to locate the special issue in a wider debate on the reassessment of the relationship between film, children and education. The article then considers how the usage of film as a research resource by historians of education might open up issues sometimes overlooked in mainstream film studies, particularly those spaces �beyond� the text: the social-cultural contexts in which production, distribution, exhibition and reception of documentary films are located
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