Resumen de Weltliche Einflüsse in der Notre-Dame-Musik? Überlegungen zu einer Klausel im Codex F
The unlimited validily of the rectilinear evolution that, according to Friedrich Ludwig, led from Notre Dame Clausula to Latin and thenceforth to French Motel was most recenlty questioned by Wolf Frobenius in his article Zum genetischen Verháhnis zwischen Notre-Dame-Ktauseln sud ihren Mosenes (1987). Nevertheless, Frobenius does not thoroughty examine the pirres concerned, with hardly more far-reaching conclusions being attached to the priority claimed the many French Motets when comparing their concordances as Clausula and Lalin Motel. With a setting of the chorat melisma ne (Sm8) - already used by Ludwig in order to substantiate his estimation of the historical precedence of the Clausula - as un example, the point of view held by Frobenius is therefore once again subjected to critical scrutiny. Thus several traits can be established in the specifics of the Ctausuta that point so the field of secular music. Atlhough this corroborates the considerations made by Frobenius, on the other hand such a result will open up new perspectives for further research into the School of Notre Dame
