Since television is a mass medium and sometimes not a clear one when registering reality, it is important to get closer to a narrating method which corresponds to its nature to carry out, at least, four informative objectives: to come to details when developing general topics; to underline specific aspects; to look for identity and empathy with the spectator, and to report decisions being made by those who represent the majorities. The answer to these inquiries can be given approaching an action theory that possesses a dramatic structure going around the human being within time and has a beginning, a means and an end, The author uses Aristotelian and Hegelian principles to support the proposal of this theory demanded by the television nature.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados