La conciencia del espectador en la teoría musical de Schopenhauer

• Autores: María Antonia Labrada
• Localización: Anuario filosófico, ISSN 0066-5215, Vol. 29, Nº 54, 1996, págs. 89-106
• Idioma: español
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• Resumen

  • The spectator's consciousness in the musical theory of Schopenhauer.- Schopehauer's reflections on music begin from the consciousness of the spectator. This kind of consciousness implies a doubling-back which enables the human soul to perceive itself as something phenomenal. The relationship between the soul and the music comes about within these limits.