An analysis of the dramatic use made of sets in Akira Kurosawa´s movies constitutes the objective of this article, which underlines, among other aspects, the essential role played by natural settings in the filmmaker´s movies, especially in relation to the character´s internal conflict. Continuing along the lines of this idea, the author takes a look at phenomena like rain, wind, cold or heat, to explore their meaning in Kurosaw´s films before studying, in a last section, how human feelings are expressed, in combination with those same scenarios, in the Japanese director´s filmography.
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