The author first of all takes a brief look at several titles on Chris Marker´s filmography in order to underline the filmmaker´s relationship with Japan and some of his work methods. She then goes on to analyse the documentary itself, pointing out Marker´s conceptual starting point and the filming differences between the latter and Kurosawa´s fiction. A last section takes a detailed look at the content of AK, evaluating its important contribution to knowledge of Kurosawa´s filming methods and cinema.
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