A brief look at Japanese cinema from all times offers the author of the article the chance to underline the importance of sex, eroticism and pornography in Japanese cinematography, while highlighting the need to carry out more in-depth studies into this subject in the West. following this introduction, the author points out the indirect manner commonly used by Kurosawa when referring to his subject, even in his Autobiography, in order to finally underline the subtlety with which sex and eroticism are introduced to his work based on the paradigmatic examination of three of his films: Sugata Sunshiro, Rashomon and Living.
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