This paper is firstly concerned with Robert Frost's and Seamus Heaney's ingrained poetic formulations and their noteworthy aesthetic affinity as befits two essentially Romantic poets, and, secondly, with the successful and original materialisation of such affinity in "the figure that makes" two of their best nature poems at surface and deep reading levels. Both poems perfectly fulfil Frost's dictum: they begin in delight and end in wisdom.
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