Resumen de Joâo Domingos Bomtempo: amis et relations à Paris

Joseph Scherpereel

• français

  Parmi les amis musiciens de Bomtempo, trois sont liés par leur carrière à la Péninsule Ibérique (Libon, Boucher, Correa), mais plus nombreux sont ceux liés au Conservatoire National de Musique de Paris (Catel,Garat, Kreutzer, Duvernoy, Delcambre, etc.) qui lui servira de modèle pour celui de Lisbonne. Ses dédicaces témoignent de son admiration pour les femmes à la fois très belles, artistes et supérieurement intelligentes, comme Mme de Bellegarde, l'une des Sabines de David, Mme Delarue, la fille de Beaumarchais, ou Mme de Genlis. Le trait d'union entre toutes ces amitiés et relations appartenant à l'élite artistique et intellectuelle parisienne des années 1800-1820 est le couple Souza auquel Bomtempo est certainement redevable de son chef-d'oeuvre, le Requiem à la mémoire de Camões.

• português

  Entre os amigos músicos de Bomtempo, três estâo ligados, pela sua carreira, à Península Ibérica (Libon, Boucher, Correa), mas mais numerosos sâo os que estâo ligados ao Conservatório Nacional de Música de Paris (Catel, Garat, Kreutzer, Duvernoy, Delcambre, etc.) que lhe servirá de modelo para o de Lisboa. As suas dedicatorias testemunham a sua admiraçâo por mulheres ao mesmo tempo muito belas, artistas e superiormente inteligentes, como Mme de Bellegarde, uma das Sabinas de David, Mme Delarue, filha de Beaumarchais, ou Mme de Genlis. Otraço de uniâo entre todas estas amizades e relaçôes pertencentes à elite artística e intelectual parisiense dos anos 1800-1820s is formed by the Souzas, husband and wife, who should be credited with Bomtempo's masterwork, the Réquiem to the Memory of Camôes.

• English

  The careers of three of Bomtempo's musician friends (Libon, Boucher, and Correa) connected them to the Iberian Peninsula. Far more (e.g. Catel, Garat, Kreutzer, Duvernoy, Delcambre, to mention only some) were connected with the Conservatoire National de Musique in Paris. The Lisbon School of Music was to be modelled on the French establishment. Bomtempo's dedications are the proof of his admiration for beautiful, artistic, intelligent women, such as Mme de Bellegarde (one of the Sabines painted by David), Mme Delarue (Beaumarchais' daughter), and Mme de Genlis. The link between all these friends and acquaintances in the intellectual and artistic eclite of Paris in the 1800-1820s is formed by the Souzas, husband and wife, who should be credited with Bomtempo's masterwork, the Requiem to the Memory of Camôes.